Female figures occupy a central place in my work. Penelope, Medea, Eve, Salome, and other figures drawn from mythology and religious narratives have often come down to us through stories written, interpreted, or represented from a male perspective.

I am interested in what happens when that perspective is shifted: what do these women become when their complexity, contradictions, desires, and agency are restored to them?

I am not seeking to give them a new definitive truth, nor to turn them into exemplary or unambiguous figures. Rather, I want to return their ambiguity to them. What interests me is shifting the way they are looked at, bringing to light what remains in the shadows of the narrative: their desires, contradictions, power, vulnerability, and sometimes their violence.

My approach is therefore rooted in a feminist reflection, not as a subject to be illustrated, but as a way of questioning the representations and narratives that have shaped our collective imagination. I am interested in the roles assigned to women, and in the ways desire, motherhood, violence, waiting, and transgression have been represented.

Through painting, drawing, textile, performance, and theatre, I seek less to illustrate these figures than to make them circulate again — to bring them into confrontation with the present, and to create a space in which they can be seen differently.

To paint, write, stage, or make these figures move through space becomes a way of looking again at women whom history has too often confined to a single role: desired, condemned, admired, feared, silenced, or turned into monsters.