This series essentially declined in triptych of two different formats

- on the left “take the fruit”

- in the center "hesitate" and

- on the right "to give up not without regret

allows by a playful aspect of many installations. Almost kinetic, it invites the viewer to make their own film.

It resonates sadly with the destiny of Afghan women, and with all those that we try to hide under veils, under immodest skins, under artificial remarks, by groups which freeze the texts and lock women in their flesh.